The Blue Van Album
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A Rapzilla.com exclusive, Out Of The Blue, a rap group formed by emcees Kay Sade and KnuOrigen present their 'first album' entitled Van Goh. The project's anime inspired production is the work of Wontel and Jay Cardec. Album Bio: Van Goh is a story about journey. The two characters, the Black Sheep and the Sage Ape, go through a process of realization and redirection similar to how one goes through the Christian journey. They become aware of a force (Van Goh) that has been orchestrating their lives and leading them back to himself the way God seeks to reconcile humans with Himself. It's about coming together, falling apart, and being built back up.
Doctrina Luterana Pdf there. Confusion, vision, friendship, joy, arrogance, embarrassment, and reconstruction. It's an invitation to embrace life and faith as a mystery that you should fight to fully understand as best you can and then pass it on.
'Blessed is the man who remains steadfast under trial, for when he has stood the test he will receive the crown of life, which God has promised to those who love him.' James 1:12 Tracklist: • That Force (Interlude) • Midnight Society (feat. Gabrielle Nicole, Jay Andy, Drew Weeks & Rafiki) • Little Mitty • Open (Interlude) • Knu Black (feat. Gabrielle Nicole) • Lost Art (Interlude) • Yuanjia • Back Home (Interlude) • Ushago (feat.
Rafiki) • Icarus (Interlude) • The Tank • Wumbology (feat. Jay Andy) • Tiny Tim (feat. Gabrielle Nicole) • New Life (Interlude) • Around the Way (feat. Rafiki, Gabrielle Nicole & Jay Andy) • Insert Name • Where the Sidewalk Ends.
Danish rockers do rock star swagger better than they do music, but on their third album,, they've gotten just good enough at writing tunes and making them stick in the studio that their attitude sounds reasonably plausible rather than just wishful thinking. Unlike many of their brethren in the Netherlands, seem to have their feet planted in '70s hard rock rather than garage rock or punk, but guitarist and singer lacks the epic style to conjure up the thunder of a or the solid crunch to be a riff monster like. But on, 's lean, wiry tone has gained enough personality to give the songs some welcome melodic weight, and the tunes are stronger and catchier on this album. The first four tracks kick off in grand and lively style, and though the album never quite regains the same momentum after slowing down for the -influenced 'Lay Me Down and Die,' lets loose enough sweat and smirk to keep the music moving, and drummer Per M. Jorgenson and bassist back him up with solid, no-frills rhythms (through keyboard man is barely audible in much of the mix). There's an understated snarky wit running through that makes this album feel more like a parody of hard rock than the real thing (especially given the band's lack of guitar heroics), but it's close enough to the mark to seem like a satire executed out of love of the form, and when hit fourth gear, you'd believe they could pull off a real hard rock epic if they put their minds to it.